Discussion of episodes (beware spoilers).

UPDATE, 5th October 2003: Reviews of new episodes will be added soon. Meanwhile, visitors can continue to rate the latest episodes on the votes page.

Episode 1: Milfay (14th September 2003)

"There was magic then, nobility, and unimaginable cruelty."

Carnivale opens with a close-up of Michael J. Anderson delivering the lines given in full at the top of this page. Anderson, you will probably remember, played the Little Man From Another Place in Twin Peaks, adding to the Lynchian feel from the start. I take it from the reference to Trinity, that the setting of the series in the 1930s means that it is a time when wonder is still present in the world and the ancient war between good and evil is still taking place. This raises the central question of who the creatures of light and darkness are amongst the characters we subsequently meet. Regardless, magic and miracles are still present in the world.
This narration is followed by a series of images, which are intriguing, disturbing and a bit bewildering. I found they made much more delightful sense when I watched them again after seeing the three episodes. Many of the shots are taken from succeeding episodes.
These images turn out to be a dream. It is 1934 in Oklahoma and on a farm laid waste in the dust bowl, a fugitive from a chain gang watches his mother die.
Incidentally, the titles came at the end of this episode. I'm not sure whether the episode will be broadcast like this. The images under the titles centre around a series of tarot cards (one of the major characters is a tarot reader in the carnival). The paintings on the cards are taken from classical paintings; I haven't identified them yet, but think I may have spotted examples of Breughal and Michelangelo. The camera zooms in and actually enters the cards; other images thus intercut are archive footage of various events from the 1930s, ...

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Episode 2: After the Ball is Over (21st September 2003)

"Every Prophet in His House"

The significnce of dreams increases apace in the opening scene of episode two as Brother Justin walks into a diner, followed by Hawkins, Scudder (the man who appeared variously as a WWI soldier, dressed in a formal evening suit, and as a miner) and a German officer. Hawkins joins Brother Justin at the counter, whilst Scudder and the officer sit at a table in a booth.

Again, this episode runs on a slow burn and there is further establishment of the main characters. There is a bigger focus on Brother Justin as he seeks to carry out the vision he had in episde one of turning Chin's nightclub into a house of God for the dispossed. Meanwhile Hawkins, having been sent on a bogus job to tidy the baggage car, finds a trunk in it (even though the Carnivale has no baggage car) ...

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Episode 3: Tipton (28th September 2003)

Big Sky Farms

Having turned around and headed south as Management have requested (against the better judgement of Lodz and Jonsey), the Carnivale rolls into town just as the funeral procession from the dream in episode one is taking place. This is shot in quite a dreamy and melodic way, again there is a touch of the Lynchian about it (although I don't want to belabour these intertextual references, they do seem to have become established as generic tropes in general since Twin Peaks and his earlier films). The mother of the girl Hawkins healed in episode one spots Hawkins and proclaims his miracle.

The Carnivale then proceeds to set up, but the local sheriff (who has had dealings in the past with Samson, albeit not unfriendly ones from the tone of the conversation, denies Samson permission to open to the locals. He claims this is because his people will be ripped off. Samson is inspired instead to visit the local church and offer the preacher half the gate from his revival. Samson convinces the sheriff (grudingly) that they have given up their past ways when a young healer - Hawkins obviously, although his 'gift' does not yet seem to be common knowledge - came their way. They have found God and now offer healing services instead of sideshows. ...

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